2025 Contemporary Collaboration Certificate

⁣OAcademy’s pilot Contemporary Collaboration Certificate has paired 7 Composing Studio Fellows and 7 Orchestra Institute Fellows to create and workshop original pieces for solo instruments and chamber ensembles. Together, they’ve pushed creative boundaries, blending genres, and building bridges across borders.

Three Sweet Serenades

Three Sweet Serenades is a composition for solo viola that depicts serenity within everyday life. The piece consists of three short movements.

1. Evening Serenade - peaceful, serene
2. Bar Serenade - folk-like, more energy, quirky, playful
3. Morning Serenade - calm, lyrical, soothing

Composer
Ethan Resnik

United States

Performer
Victoria Witmer

United States

"Throughout the certificate program, I had the privilege of working with Victoria Witmer, a fantastic violist and musician. Through a series of online meetings, we experimented with various sounds, motivic ideas, and gestures to create an expressive work together. "

Nostalgia

Nostalgia is a piece I had the pleasure of writing for a great musician from Mexico, Natalia. The chosen instrument: the vibraphone. Thanks to the rich harmonics and sustain that the instrument provides, I created a long musical phrase that extends time and tries to build a long bridge across the ocean, bringing both cultures a little closer, making them not seem so far away.

Composer
Telmo Sans Ruiz

Spain

Performer
Natalia Ramírez Aranday

Mexico

"We spent time discussing how we could merge our both similar and distant cultures, and we came up with the idea of creating a sound world that could connect both our views, cultures, and countries."

Lúcaro

Lúcaro was written for the Venezuelan Double Bassist Alondra Abas based on her own personal story. It’s an emotional and dramatic journey for a beautiful and dramatic instrument.

Composer
Katie Semro

United States

Performer
Alondra Abas

Venezuela

El zaguán

El zaguán (“The hallway” or “entrance hall”) is a musical threshold—a space of transition between public and private, outside and inside, memory and presence. Inspired by the architecture of Latin American homes, where the zaguán often serves as both an antechamber and a guardian of memories, this piece evokes the act of crossing into another world.

In El zaguán, the harp becomes a storyteller—inviting us to pass through a sonic doorway into moments of nostalgia, mischief, and stillness.

Composed for Renee Ruiyi Qin as part of the Gabriela Ortiz OAcademy Fellowship, El zaguán is both a personal offering and a shared passageway.

Composer
Nacho González Nappa

Uruguay

Performer
Renée Qin

Canada

"In my childhood home in Uruguay, the zaguán was a place of quiet rituals. I used to sit there for hours—sometimes playing guitar, sometimes reading, sometimes simply watching the world pass by. When night fell, it wasn’t always safe to stay there. My mother lived in that house for seventy years, but we recently had to sell it. The building was aging, and the neighborhood had changed."

Fragments, Echoes

Fragments, Echoes draws its melodic material from music across Slovenia's history as the sounds metaphorically go back in time. Halfway through the piece, the performer switches from contemporary flute to the reconstruction of the Neanderthal flute (RNP in the score, based on its Slovenian name). The original is approximately 55,000 years old, a cave bear femur punctured with two distinct holes. According to the Narodni muzej Slovenije (National Museum of Slovenia), it is "the oldest musical instrument in the world, a 60,000-year-old Neanderthal flute."

Composer
J. Andrés Ballesteros

United States

Performer
Alenka Eržen

Slovenia

"In conversation with Alenka, we decided to pursue a piece inspired by the Divje Babe flute, an ancient artifact discovered in the Divje Babe cave of Alenka's native Slovenia."

Charms (excerpts)

Charms is an exploration of various folk magic traditions from around the world. Each movement or charm is a short vignette capturing a different ritual, incantation, or sacred object. Sonically, the set aims to uncover the full beauty and extensive timbral possibilities of each instrument in such a unique trio with each player taking the lead in different rituals. The work is designed to be a modular experience, able to be performed in any order, and open-ended so that more vignettes may be added in the future. The first set of Charms includes explorations of Icelandic Ljóðaháttr, chant incantation; Peruvian Ikaros or medicine songs; Ecstatic Dance rituals; Greco-Roman Defixiones, clay tablets with curses inscribed; Mesopotamian Šurpu, purification rituals involving fire; and Citrinitas, the awakening of the soul’s radiance during Alchemy’s Magnum Opus.

Composer
Derek Weagle

United States

Performer
Lucy Rubin

United States
–with the collaboration of Jack Rittendale (viola) and Bakari Williams (double bass)

"This recording features the charms inspired by Ljóðaháttr, Ikaro, and Šurpu."
Listen on Bandcamp
Parmenides’ Voyage for English Horn Solo

Parmenides’ Voyage is based on the thought of the Presocratic philosopher Parmenides (5th-6th cent. BC). In the first part, the philosopher puzzles – to the point of frustration – about the intelligibility of reality. In the second part, he is taken on a night voyage to the abode of a goddess who will reveal the nature of truth to him.

Composer
Daniel Regnier

Canada

Performer
Ciara Wheeler

Canada

"Ciara Wheeler provides a marvelous interpretation of this composition. She brings out the intensity of the pondering in the first part and the sense of liberation in the voyage of philosophical discovery in the second."
Listen on Soundcloud